CRAM ME NOW AND FOREVER

This ain't no/some/your gentle/sweet/rough love/fantasy/trip. This is the raw/deep/burning need to smash/destroy/screw right now/this instant/immediately. I want every inch/all of you/to feel me inside you, and I want it forever/until we die/until there's nothing left. You listen/obey/better believe me when I say this: your pleasure/pain/existen

during the 1960s and 1970s, quite a few jazz musicians had just a primary idea of Cuban and Brazilian music, and jazz compositions which utilised Cuban or Brazilian things were being normally referred to as "Latin tunes", without any difference in between a Cuban son montuno along with a Brazilian bossa nova. Even as late as 2000, in Mark Gridley's